| He plays a kind of unified-Europe cabaret music - a mixture of Weimar, tango, habanera rhythms and French chansonnier style - that is, oddly, a stone's throw from a recent American singer-songwriter tradition. | 
The New York Times
June 30, 1998 | Melancholy, absurd, romantic, listening to these songs is like having a Fellini film poured into your ear.
The Wall Street Journal
July 31, 1998 |
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The Village Voice
July 7, 1998
 | Seated at a grand piano with his cuff links in the dressing room, twisting his face to ensure that his rough voice will behave gracefully, he leans his mustache into the mic so closely that at times it becomes a nose rest. On many pieces his brass players voice long, waftingly South American themes with the crisp upswings and softer underlinings of clarinet. Then later his clarinets conspire, taking charge like massed violins. |  |
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Rzeczpospolita
24 listopada 1997 |
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| Gazeta Stoleczna 23 listopada 1997 | Express Wieczorny
25 listopada 1997 |
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